A bunch of bands at Cafe 9 and Alchemy
Thursday, April 27, 2006
Queen Killing Kings, Sugarfist, Groovski, The Chuck Hestons, Coup de Grace - 4/19/06
I was jumping back and forth between Cafe 9 and Alchemy last Wednesday. Both places had shows I was mildly interested in. I'd been meaning to catch the Chuck Hestons for a while now.
I started out at Alchemy, but when I found out Sugarfist was playing, I hightailed it. Arriving at Cafe 9, I was surprised at how many people were there. The Advocate was putting on some kind of showcase and all their friends were there. I think there were probably more people in Cafe 9 than in Alchemy, in spite of the fact that it's about 1/6 the size.
The first band I saw was Queen Killing Kings. It was two guys, one on drums, the other on piano and vocals. They were very precious; the little girls sitting down in front really seemed to like them. They were okay, but I've heard a million indie bands who do essentially the same thing.
So, I went back to Alchemy and, wouldn't you know it, Sugarfist was still playing. I hate them so much.
Back to Cafe 9 and Groovski was setting up. They're a weird band. Kind-of heavy rock, but with a severe echo on the vocals. It gives the whole thing an unsettled feeling. I kind of dig it.
I got to Alchemy just as the Chuck Hestons was preparing to start. They were enjoyable, but the multitude of technical difficulties forced me to leave. They had a lot of homemade equipment and that may have contributed to the problems. I'll consider them more thoroughly when I catch them again. They're playing with the Battlecats in June. They were also the most documented band I've seen. They had 3 or 4 photographers and 1 or 2 video cameras going.
And, finally, at Cafe 9 was Coup de Grace. It was certainly one of the more annoying musical experiences I've ever had. A bunch of goofy fucks jerking off with noise and feedback. It might have been alright if they'd had more fun with it but, in spite of the silly headgear, it seemed like they were taking themselves very seriously. The most telling thing, though, was that there was a photographer on stage with them. As if being observed was part of the show. The hyper-self-consciousness was obscene. The music, though, was nothing to speak of. One guy occasionally yelled into a mic hooked up to a practice amp, other times he just used it to make feedback. There was a guitar player or two just fucking around and another guy yelling into another microphone once in a while. I've said it before, but even when the Velvet Underground played Sister Ray for 45 minutes, there was a song at the heart. That's because Lou Reed is a true sadist. In his songs, he plays the role of the masochist; he can only do that successfully because, as a true sadist, he understands the masochist. The true sadist will give just enough to keep the abused engaged. As an audience member, I am a masochist, I want to be abused. But, I need to know that the performer is aware of my position. Give me some kind of hook to keep me there. With Coup de Grace, the only resonable response is to leave. Now, maybe that is their intent. Honestly, that is a respectable goal. Musical nihilism. But why, then, play for an audience if you're not going to have any fun with them? I fear that I will be seeing more of this kind of thing in the future. Pointless noise is getting hip.
I guess I missed a couple of acts that night. The guy from the Carlos Project played at Cafe 9 and some band with wrestling masks who played computers and a band called Omega Vague played at Alchemy. Well, sometimes we must make sacrifices.
Pictures:
http://www.flickr.com/photos/oldangelmidnight/sets/72057594115352867/
etc.
http://www.myspace.com/thequeenkillingkings
http://www.myspace.com/sugarfist
http://www.groovski.com
http://www.myspace.com/thechuckhestons
http://www.myspace.com/thecoupdegracenh
dipshit |
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King David |
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THE COUP DE GRACE |
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King David |
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THE COUP DE GRACE |
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